THE JOURNEYMAN 1977
A
MAZE
IN
ZAZAZA ENTER ZAZAZA
ZAZAZAZAZAZAZAAZAZAZAZAZAZAZ
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGIKALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
1234567891011121314151617181920212223242526262524232221201918171615141312111098765432
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J |
K |
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M |
N |
O |
P |
Q |
R |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
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V |
W |
X |
Y |
Z |
I |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
9 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
ME |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
- |
1+8 |
- |
1+8 |
- |
1+8 |
- |
1+8 |
- |
- |
9 |
- |
9 |
- |
9 |
- |
9 |
- |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
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- |
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- |
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|
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
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- |
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- |
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- |
- |
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- |
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- |
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- |
- |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
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M |
N |
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Q |
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U |
V |
W |
X |
Y |
Z |
THE FLIGHT OF THE PHOENIX
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
- |
18 |
1 |
- |
1 |
18 |
- |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
- |
9 |
1 |
- |
1 |
9 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
1 |
- |
- |
- |
- |
- |
1 |
- |
1 |
- |
- |
- |
- |
- |
1 |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
- |
- |
- |
- |
9 |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
1 |
- |
- |
- |
- |
1 |
- |
1 |
- |
- |
- |
- |
1 |
A |
T |
U |
M |
R |
A |
- |
A |
R |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
18 |
1 |
- |
1 |
18 |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
9 |
1 |
- |
1 |
9 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
R |
A |
- |
A |
R |
M |
U |
T |
A |
1 |
2 |
3 |
4 |
9 |
1 |
- |
1 |
9 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
R |
A |
- |
A |
R |
M |
U |
T |
A |
- |
- |
- |
4 |
- |
4 |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
3 |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
2 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
1 |
A |
T |
U |
M |
- |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
- |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
M |
U |
T |
A |
1 |
2 |
3 |
4 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
M |
U |
T |
A |
|
A |
T |
U |
M |
- |
R |
A |
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- |
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1 |
20 |
21 |
13 |
- |
18 |
1 |
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= |
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1 |
2 |
3 |
4 |
- |
9 |
1 |
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= |
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A |
T |
U |
M |
- |
R |
A |
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- |
- |
1 |
- |
- |
- |
- |
- |
1 |
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|
occurs |
x |
|
= |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
|
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|
occurs |
x |
|
= |
2 |
- |
- |
- |
3 |
- |
- |
- |
- |
|
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|
occurs |
x |
|
= |
3 |
- |
- |
- |
- |
4 |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
4 |
- |
- |
- |
- |
- |
- |
9 |
- |
|
|
|
occurs |
x |
|
= |
9 |
|
A |
T |
U |
M |
- |
R |
A |
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|
19 |
|
|
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|
- |
- |
|
- |
- |
|
- |
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|
10 |
- |
- |
- |
Q |
2+0 |
|
A |
T |
U |
M |
- |
R |
A |
|
|
1 |
|
|
|
|
|
6 |
SPHINX |
90 |
36 |
9 |
4 |
LION |
50 |
23 |
5 |
3 |
LEO |
32 |
14 |
5 |
|
PTAH |
45 |
18 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
SEKHMET |
81 |
36 |
|
|
SPHINX |
90 |
36 |
|
13 |
Add to Reduce |
171 |
72 |
18 |
1+3 |
Reduce to Deduce |
1+7+1 |
7+2 |
- |
4 |
Essence of Number |
9 |
9 |
9 |
|
7 |
|
E |
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E |
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- |
- |
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- |
1 |
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8 |
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= |
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- |
19 |
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8 |
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2+7 |
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= |
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7 |
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E |
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E |
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- |
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- |
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5 |
2 |
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4 |
5 |
2 |
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1+8 |
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= |
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- |
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5 |
11 |
|
13 |
5 |
20 |
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5+4 |
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= |
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7 |
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E |
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E |
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- |
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- |
19 |
5 |
11 |
8 |
13 |
5 |
20 |
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|
8+1 |
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- |
1 |
5 |
2 |
8 |
4 |
5 |
2 |
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|
2+7 |
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7 |
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- |
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-` |
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occurs |
x |
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= |
1 |
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- |
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occurs |
x |
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= |
4 |
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3 |
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3 |
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-` |
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occurs |
x |
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= |
4 |
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- |
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- |
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occurs |
x |
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= |
10 |
1+0 |
|
6 |
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6 |
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7 |
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7 |
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- |
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occurs |
x |
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= |
8 |
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9 |
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9 |
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2+5 |
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- |
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2+0 |
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2+7 |
|
1+8 |
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7 |
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E |
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E |
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- |
- |
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- |
1 |
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8 |
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= |
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- |
19 |
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8 |
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2+7 |
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= |
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7 |
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E |
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E |
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- |
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- |
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5 |
2 |
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4 |
5 |
2 |
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1+8 |
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= |
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- |
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5 |
11 |
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13 |
5 |
20 |
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5+4 |
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= |
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7 |
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E |
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E |
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- |
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- |
19 |
5 |
11 |
8 |
13 |
5 |
20 |
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8+1 |
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- |
1 |
5 |
2 |
8 |
4 |
5 |
2 |
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2+7 |
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7 |
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- |
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occurs |
x |
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= |
1 |
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occurs |
x |
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= |
4 |
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occurs |
x |
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= |
4 |
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- |
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occurs |
x |
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= |
10 |
1+0 |
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occurs |
x |
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= |
8 |
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- |
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2+0 |
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2+7 |
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1+8 |
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4 |
|
- |
- |
- |
- |
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- |
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- |
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- |
S |
|
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4 |
|
- |
- |
- |
- |
TEMPLES OF THE SUN |
- |
- |
- |
7 |
TEMPLES |
90 |
27 |
9 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
3 |
SUN |
54 |
9 |
9 |
15 |
|
198 |
63 |
27 |
1+5 |
- |
1+9+8 |
6+3 |
2+7 |
6 |
|
18 |
9 |
9 |
- |
- |
1+8 |
- |
- |
6 |
|
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
14 |
|
179 |
62 |
8 |
15 |
|
198 |
63 |
9 |
|
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- |
|
- |
- |
5 |
5 |
- |
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1 |
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- |
- |
14 |
14 |
- |
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- |
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2 |
5 |
- |
- |
21 |
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1 |
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2 |
5 |
- |
- |
3 |
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JOSEPH AND HIS BROTHERS
Thomas Mann
PHARAOH'S DREAM
Page 914
"WELL then, Pharaoh had betaken himself once more to instructive On out of unconquerable yearning to escape from the empire of Amun and commune with the shiny-pates of the sun-house about Harmakhis-Khepere-Atum-Re, Aton. The court chroniclers, puckering their lips and obsequiously crouching, mincingly entered in the record His Majesty's beautiful resolve; and how thereupon he mounted a great car made of electrum, together with Nefertiti, called Nefernefruaton, the Queen of the lands, whose body was fruitful and whose arm was about her consort; and how he had radiantly taken his beautiful way, followed in other cars by Tiy, the mother of God, Nezemmut, the Queen's sister, Baketaton, his own sister, and many chamberlains and ladies-in-waiting with ostrich-feather fans on their backs. The heavenly bark Star of the Two Lands had also been used by stretches; the chroniclers had set down how Pharaoh, sitting under his canopy, had eaten a roast pigeon, also held the bone out to the Queen and she ate from it, and how he put into her mouth sweetmeats dipped in wine.
At On, Amenhotep entered his palace in the temple, district and slept, there dreamlessly the first night, exhausted from ,the journey. The following day he began by sacrificing to Re-Horakhte with bread and beer, wine, birds, and incense. After that he listened to the Vizier of the North, who spoke before him at length, and then, regardless of the headache that had brought on, devoted the rest of the day to the much-desired talks with the priests of the God. These conferences, which at the moment greatly occupied Amenhotep's mind, had been taken up with the subject of the bird Bennu, also / Page 915 / called Offspring of Fire, because it was said that he was motherless, and moreover actually his own father, since dying and beginning were the same for him. For he burned himself up in his nest made of myrrh and came forth from the ashes again as young Bennu. This happened, some authorities said, every five hundred years; happened in fact in the temple of the sun at On, whither the bird, a heron-like eagle, purple and gold, came for the purpose from Arabia or even India. Other authorities asserted that it brought with it an egg made of myrrh, as big as it could carry, wherein it had put its deceased father, that is to say actually itself, and laid it down on the sun-altar. These two assertions might- subsist side by side- after all, there subsists so much side by side, differing things may both be true and only different expressions of the same truth. But what Pharaoh first wanted to know, what he wanted to discuss, was how much time had passed out of the five hundred years which lay between the bird and the egg; how far they were on the one hand from the last appearance and on the other from the next one; in short, at what point of the phoenixyear they stood. The majority opinion of the priests was that it must be somewhere about the riddle of the period. They reasoned that if it was still near its beginning, then some memory of the last appearance of Bennu must still exist and that was not the case. But suppose they were near the end of one period and the beginning of the next; then they must reckon on the impending or immediate return of the time-bird. But none of them counted on having the experience in his lifetime so the only remaining possibility was that they were about the middle of the period. Some of the shiny-pates went so far as to suspect that they would always remain in the middle, the mystery of the Bennu bird being precisely this: that the distance between the last appearance of the Phoenix and his next one was always the same, always a middle point. But the mystery was not in itself the important thing to Pharaoh. The burning question to be discussed, which was the object of his visit, and which then he did discuss for a whole halfday with the shiny-pates, was the doctrine that the fire-bird's myrrh egg in which he had shut up the body of his father did not thereby become heavier. For he had made it anyhow as large and heavy as he could possibly carry, and if he was still able to carry it after he had put his father's body in it, then it must follow that the egg had not thereby increased in weight.
That was an exciting and enchanting fact of world-wide importance. In young Pharaoh's eyes it was worthy of the most circumstantial exposition. If one added to a body another body and it did not become heavier thereby, that must mean there were immaterial bodies - or differently and better put, incorporeal realities, immaterial as sunlight; or, again differently and still better put, there was the spiritual; and this spiritual was ethereally embodied in the Bennu-father, / Page 916 / whom the myrrh egg received while altering its character thereby in the most exciting and significant way. For the egg was altogether a definitely female kind of thing; only the female among birds laid eggs, and nothing could be more mother-female than the great egg out of which once the world came forth. But Bennu the sun-bird, motherless and his own father, made his own egg himself, an egg against the natural order, a masculine egg, a father-egg, and laid it as a manifestation of fatherhood, spirit, and light upon the alabaster table of the sun-divinity.
Pharaoh could not talk enough with the sun-calendar men of the temple of Re about this event and its significance for the developing nature of Aton. He discussed deep into the night, he discussed to excess, he wallowed in golden immateriality and father spirit, and when the priests were worn out and their shiny pates nodded, he was still not tired and could not summon resolution to dismiss them - almost as though he were afraid to. stay alone. But at last he did dismiss them, nodding and stumbling to their rest, -and himself sought his bedchamber."
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MYTH AND SYMBOL IN ANCIENT EGYPT
R. T. Rundle Clark 1959
Osiris Universalized
Page 138
"Another section of Chapter 175 provides a lively dialogue between Osiris and the High God, here called Atum. All the / Page 139 / decisions of the High God previously noticed were accepted without question. The sceptical spirit of the Herakleopolitan Age, however, did not stop at minor figures; it queried the ultimate rightness of the fates determined by God himsel£ After his death Osiris finds himself in a cheerless underworld and remonstrates about his lot:
'Osiris O Atum! What is this desert place into which I
have come?
It has no water, it has no air,
it is depth unfathomable, it is black as the blackest
night.
I wander helplessly herein.
One cannot live here in peace of heart, nor may the
longings of love be satisfied herein.
Atum You may live in peace of heart. I have provided illumination in place of water and air, and satisfaction and quiet in the place of bread and beer.
Thus spoke Atum.
Osiris But shall I behold your face?
Atum I will not allow you to suffer sorrow.
Osiris But every other god has his place in the Boat of
Millions of Years.
Atum Your place now belongs to your son Horus.
Thus spoke Atum.
Osiris But will he be allowed to dispatch the Great Ones?
Atum I have allowed him to dispatch the Great Ones, for he will inherit your throne on the Isle of Fire.
Osiris How good would it be if one god could see
another!
Atum My face will look upon your face.
Osiris But how long shall I live ? says Osiris.
Atum You will live more than millions of years, an era of
millions,
but in the end I will destroy everything that I have
created, / Page 140 / the earth will become again part of the Primeval
Ocean, like the Abyss of waters in their original state. Then I will be what will remain, just I and Osiris, when I will have changed myself back into the Old
Serpent who knew no man and saw no god.
How fair is that which I have done for Osiris, a fate
different from that of all the other gods!
I have given him the region of the dead while I have
put his son Horus as heir upon his throne in the Isle of Fire;
I have thus made his place for him in the Boat of
Millions of Years, in that Horus remains on his
throne to carry on his work.
Osiris But will not also the soul of Seth be sent to the
West-a fate different ttom that of all the other gods ?
Atum I shall hold his soul captive in the Boat of the Sun -such is my will so that he will no longer terrorize the Divine
Company.'
This is a direct criticism of the Osirian belief in the survival of the soul in the life of universal nature. Otto has shown
recently that the scepticism of the age was expressed in terms of
debates; 6 objections were raised with the High God about the seeming injustices of his ordering of the universe. In the present case, Osiris complains that the Underworld to which he has descended has none of the wordly amenities which he had expected. The High God replies that this may be so, but instead there is peace and contentment of mind. The lesson is that the future state is not to be thought of in material terms.
Although the text speaks of Osiris, the god is here the mouthpiece of the soul expressing its deepest anxieties. This is abundantly clear in the succeeding section, where Osiris, not / Page140 / completely satisfied with a metaphorical hereafter, breaks with the traditional mythology and wants to behold the light of day, the face of the Sun God. The Egyptians believed that the soul assumed the form of a bird in order to ascend from the darkness of the tomb to see the daylight and then returned to comfort its body. The supreme beatification in the Pyramid Texts was to join the Sun God's boat or, to become 'one of those dwellers in the light'. The Osirian fate did not satisfy this longing for light. Atum's answer is ambiguous and so brings forth the reproach that all the other gods have their places in the divine barque'The Boat of Millions of Years'. Atum replies that Osiris must be content that hii place has been taken by his son Horus; the older generation must give way to the younger. The royal power has been transmitted to Horus who has ascended the throne- in the mythical centre of the world, the Isle of Fire. Humanly enough, Osiris longs to be able to see his son, but even this is denied him. Nevertheless the High God will behold him, for as the all-powerful one he can see down into the depths of the nether world, as the later Amun hymns remind us. Perhaps there is a reference here to the night sun and its visits to the lower regions. Osiris is still dissatisfied; how long will he have to endure his hapless lot? Darkly, Atum replies that he is not to be forgotten; for, one day, millions of years hence, he will bring the present dispensation to an end. Then creation will be reversed and all things return to the Primeval Waters. When all differences have disappeared he and Osiris, the transcendent and the emergent forms of deity, will be reunited in the universal primordial form of life, the original Serpent, the form in which divinity existed before the coming of gods or men. The final fate, then, is to return to the primordial unity. Here we see Egyptian thought reaching out to a concept very like that of the Upanishads.
Atum has not disposed of the enemy. Osiris wonders whether Seth, whose crimes have justified his death, will not be sent down to the Underworld. If Seth is to join him there will be no peace for Osiris. Seth,says Atum, will not be consigned / Page 142 / to the 'West' but will be forced to live in the boat of the Sun God. There was a legend that Seth stood in the prow of the sun barque to ward off the attacks of the demon of darkness. This is quite different from the orthodox doctrine of the Pyramid Texts, wherein he had become Osiris' boat. By changing the fate of Seth the whole tone of the legend is altered: the principle of violent force remains in the world above, but it will be harnessed to protect the sun from annihilation.
The gods were personifications of natural forces or the embodiments of human desires and aspirations. Originally these elements existed all together in the various gods. During the era of the Coffin Texts the different elements began to disentangle
themselves. Seth becomes the storm itself rather than its patron; Osiris is the growth of the corn rather than the god who impersonates its force. At the same time this tendency to get at the natural phenomena behind the personality of a god leads to a deeper understanding of the principles of existence. Coffin Text 330 contains the clearest identification of the soul with nature that the ancients have left us:
'Whether I live or die I am Osiris,
I enter in and reappear through you,
I decay in you, I grow in you,
I fall down in you, I fall upon my side.
The gods are living in me for I live and grow in the corn that sustains the Honoured Ones.
I cover the earth,
whether I live or die I am Barley,
I am not destroyed.
I have entered the Order,
I rely upon the Order,
I become Master of the Order,
I emerge in the Order,
I make my form distinct,
I am the Lord of the Chennet (Granary of Memphis?),
I have entered into the Order,
I have reached its limits. . . .'
THE ANCIENT EGYPTIAN PYRAMID TEXTS
1910
R.O. Faulkner
Page 43 / 44 ( first 5 lines quoted)
Utterance 216
The king as a star fades with the other stars
"I have come to you O Nephthys;
"I have come to you O Night-bark;
"I have come to you O M ..- hr-trwt;
"I have come to you O Msh..t-k..w;
Remember me"
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TO |
35 |
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3 |
YOU |
61 |
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7 |
THE
I
OF
ME
REMEMBER
THE PHOENIX
Myth and Symbol in Ancient Egypt
R. T. Rundle Clark 1959
Page 245
"The Phoenix, known to the Egyptians as the Benu Bird, was one of the primeval forms of the High God. The Shu Texts epitomize the appearance of light and life out of the original darkness and chaos as: / Page 246 / 'that breath of life which emerged fiom the throat of the Benu Bird, the son of Re in whom Atum appeared in the primeval nought, infinity, darkness and nowhere.'
One has to imagine a perch extending out of the waters of the Abyss. On it rests a grey heron, the herald of all things to come. It opens its beak and breaks the silence of the primeval night with the call of life and destiny, which 'determines what is and what is not to be'. The Phoenix, therefore, embodies the original Logos, the Word or declaration of destiny which mediates between the divine mind and created things. It is essentially an aspect of God, self created. and not a minor deity. But the heron form is not to be taken too literally; it is a way of expressing one of the basic activities of God rather than a historical or naturalistic figure. It is the first and deepest manifestation of the 'soul' of the High God.
Underlying all Egyptian speculation is the belief that time is composed of recurrent cycles which are divinely appointed: the day, the week of ten days, the month, the year-even longer periods of 30, 400 or 1460 years, determined according to the conjunctions of sun, moon, stars and inundation. In a sense, when the Phoenix gave out the primeval call it initiated all these cycles, so it is the patron of all division of time, and its temple at Heliopolis became the centre of calendrical regula... tion. As the herald of each new dispensation, it becomes, optimistically, the harbinger of good tidings. During the Middle Kingdom the Benu Bird became the 'soul' of Osiris and the symbol for the planet Venus-the morning star which precedes the sun out of the Underworld and is the herald of a new day. In spite of these minor roles, however, the Benu Bird continues to be 'he who created himself' -a form of the High God. In fact, Atum...Re, Shu and Osiris meet in the bird as the symbol of the godhead in time.
Fig. 40. The Phoenix (in Coffin Text 335) (omitted)
The Egyptians had two ideas about the origin of life. The first was that it emerged in God out of the Primeval Waters; the other was, that vital essence-Hike-was brought hither from a distant, magical source. The latter was 'the Isle of Fire' -the place of everlasting light beyond the limits of the world, where the gods were born or revived and whence they were sent into the world. The Phoenix is the chief messenger from this inaccessible land of divinity. A Coffin Text makes the victorious soul say:
'I come from the Isle of Fire, having filled my body with Hike, like "that bird" who [came and] filled the world with that which it had not known.'44
So the Phoenix came from the far;away world of eternal life, bringing the message of light and life to a world wrapped in
the helplessness of the primeval night. Its flight is the width of the world:
'over oceans, seas and rivers,'45
to land, at last, in Heliopolis, the symbolic centre of the earth where it will announce the new age. We are told that 'the watchers tremble' with joy when they behold it coming, with the assurance that creation is still active and the world is not yet to be reabsorbed into the Abyss. It is for this reason that Atum can say, in Chapter 17 of the Book of the Dead:
Page 248
'I am that great Benu Bird in Heliopolis, who determines
what is and what is not to be.'
This great symbol, the most persuasive in the Egyptian repertoire, was misunderstood by Herodotus who, as a stranger to the inner meaning of Egyptian religion, brought it down to the level of a fairy,;tale:
'There is another sacred bird called the Phoenix. I have never seen it myself except in pictures, for it is extremely rare, only appearing, according to the people of Heliopolis, once in five hundred years, when it is seen after the death of its parent. If the pictures are accurate its size and appear,; ance are as follows: its plumage is partly red and partly gold, while in shape and size it is very much like an eagle. They (the Heliopolitans) tell a story about this bird which I personally find incredible: the Phoenix is said to come from Arabia, carrying the parent bird encased in myrrh; it proceeds to the temple of the sun and there buries the body. In order to do this, they say it first forms a ball as big as it can carry, then, hollowing out the ball, it inserts its (dead) parent, subsequently covering over the aperture with fresh myrrh. The ball is then exactly the same weight as it was at first. The Phoenix bears this ball to Egypt, all encased as I have said, and deposits it in the temple of the sun. Such is their myth about this bird.'46
This is very different from the hieratic figure in Chapter 83 of the Book of the Dead-the 'Spell for becoming the Benu Bird.' The soul declares:
'I flew up as the Primeval God and assumed forms
I grew in the seed and disguised myself as the Tortoise, I am the seed corn of every god,
I am yesterday. . .
I am Horus, the god who gives light by means of his
body. . .
I come as day, I appear in the steps of the gods, Page 249
I am Khons (the moon) who proceeds through the universe.
Here the Phoenix is the principle of life, not so much in any particular form but the constant divine power in all its supreme manifestations, whether natural or mythological. For the author of the rubric to this text, the Phoenix was a synthesis of the main forms of life, a general symbol to include all particular ones."
FIRST CONTACT
STAR TREK
A novel by J.M. Dillard based on the film
STAR TREK; FIRST CONTACT
Story by Rick Berman & Brannon Braga & Ronald D. Moore
Screenplay by Brannon Braga & Ronald D. Moore
1996
First
STAR TREK
FIRST CONTACT
Second
STAR TREK
FIRST CONTACT
This book is a work of fiction. Names, characters, places and incidents are products of the author's imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
Third
STAR TREK
FIRST CONTACT
STAR TREK
A novel by J.M. Dillard based on the film
1996
STAR TREK; FIRST CONTACT
Page 43
"He'd named his ship the Phoenix.
Page 47
".........the Phoenix........."
".........the Phoenix........."
Page 48
".........the Phoenix........."
Page 54
"The Phoenix had risen"
Page 57
".........the Phoenix........."
".........the Phoenix........."
".........the Phoenix........."
Page 246
"Lily could not help but laugh delightedly along with the other settlers who had silently crept up hoping to catch a glimpse of the aliens.
The Phoenix had risen at last, and she was never coming down. . ."
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
AT THE THROW OF THE NINE NUMBERS WHEN IN CONJUNCTION SET
THE
FAR YONDER SCRIBE
MADE RECORD OF THEIR FALL
UFO Evidence : SETI : The Search for Extraterrestrial Intelligence
There are many methods that SETI scientific teams use to search for .... tabloid nonsense instead of on far more evide-nce than has been provided for SETI. ... www.ufoevidence.org/topics/SETI.htm
Project Phoenix is the world's most sensitive and comprehensive search for extraterrestrial intelligence. It is an effort to detect extraterrestrial civilizations by listening for radio signals that are either being deliberately beamed our way, or are inadvertently transmitted from another planet. Phoenix is the successor to the ambitious NASA SETI program that was cancelled by a budget-conscious Congress in 1993.
COSMIC MESSAGE IN A BOTTLE
"A cosmic "message in a bottle" is to be left in space as a relic of the world's languages.
A disc engraved with the first three chapters of Genesis in 1,000 native tongues will travel to a distant comet. It will be carried on the European Space Agency's (Esa) Rosetta mission, set for take-off some time in 2003. The unmanned spacecraft will orbit the ball of ice, matter and dust, and then put a lander on the comet's surface. The inscription, attached to the outside of the main spacecraft, is designed to act as a relic of the languages on Earth.
Once the mission is over, the mother ship could end up circling for thousands of years until it breaks up or collides with a planet"
http://news.bbc.co.uk/2/hi/science/nature/2654755.stm
MESSAGE IN A BOTTLE
Lyrics Sting and Police
Just a castaway, an island lost at sea, oh
Another lonely day, with no one here but me, oh
More loneliness than any man could bear
Rescue me before I fall into despair, oh
Ill send an s.o.s. to the world
Ill send an s.o.s. to the world
I hope that someone gets my
I hope that someone gets my
I hope that someone gets my
Message in a bottle, yeah
Message in a bottle, yeah
A year has passed since I wrote my note
But I should have known this right from the start
Only hope can keep me together
Love can mend your life but
Love can break your heart
Ill send an s.o.s. to the world
Ill send an s.o.s. to the world
I hope that someone gets my
I hope that someone gets my
I hope that someone gets my
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Walked out this morning, dont believe what I saw
Hundred billion bottles washed up on the shore
Seems Im not alone at being alone
Hundred billion castaways, looking for a home
Ill send an s.o.s. to the world
Ill send an s.o.s. to the world
I hope that someone gets my
I hope that someone gets my
I hope that someone gets my
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time"
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
THE PHOENIX AND THE MIRROR
Avram Davidson 1969
Page 244
CHAPTER THIRTEEN
THE RED MAN was seated, slumped, upon the ground when they reached him at last. The journey had evidently wearied him much, more than it had Vergil. Not until his blurred eyes focused on Laura did a flicker of interest show in them, and he slowly rose to his feet and prepared to mount. Vergil would have liked to take some of the scant food remaining in their packs, for, though he had drunk sweet water in a silver cup at the Cyclops' castle, he had not then thought to ask for anything to eat. But it was best to wait. Let them get well away.
Only. . .
"This is not the way we came," he called out to his guide
The Red Man shook his head slightly. "Another route. . . " his words came, faintly over his shoulder.
"That's wise. We will avoid the Troglodytes this time, I suppose?" But no answer came. He rode alongside of Laura, and spoke to her" but she had / Page 244 / little to say. Her manner was as passive as ever. Indeed, she seemed so blank and docile that Vergil felt a pang of doubt concerning his feelings for her. Could she really be little more than a lovely doll? Had Cornelia's state and beauty sapped and stunted her personality? Or was this merely a sort of protective shock?
Presently she was enough aroused to answer one or two of his questions-or, rather, to explain why it was she could not answer them. "1 do not know why they took me from the Great High Road," she said softly. "They said that Queenthat my mother had sent them, and they showed me a letter from her." .
"A forgery, doubtless. But it is very strange. . . to have brought you so far, when convenient hiding places were so much nearer. One wonders why, for what motive. Ransom?" But Laura did not know. She gazed out of her mild and lovely wine-dark eyes on the passing desert. From time to time Vergil suggested a halt, but the Red Man pressed on. Sometimes he shook his head, sometimes he gestured ahead with his driving stick; he never spoke. They had grown so gradually weary that it took some time for Vergil and Laura to realize that their present route had taken them quite definitely out of and away from the Sea of Sand. They were now, and had been for some time, in a region of stones, the land rising gradually on all sides.
They were discussing this, in weary wonder, when he observed that she had closed her eyes and pressed her hand to her temple. He drew his camel in close to hers and reached out to support her.
Page 246
We must stop now," he called out. "The princess is very faint."
Without turning his head, the Red Man said,
"We are almost ,there.."
"Almost there?" Vergil felt anger rising over fatigue." Almost where? I tell you, we must stop at once!" But Ebbed-Saphir spoke only to the mounts, and they would not pause now for all of Vergil 's urgings. It was a slight shift in the wind which brought tidings of what their eyes soon enough beheld. A perfume, a fragrance, as of some garden in Cyprus. . . he thought, at first, he
dreamed. . . Then he saw it.
But it was no garden. Up, up past a wilderness of polished stones glittering in the fading sun like giant gems the trail had led them, finally diemboguling into a high plateau. And there was a great pile, as large as a house, of logs: scented cedarwood and fragrant sandalwood and trees of myrrh and . other odorous timbers of balsam and the like. Intricately carved and carpeted steps led to the
summit and there was a pavilion somewhat furnished.
"A clap of thunder, a blaze of light sounded and shone in Vergil's head. Fragments whirled and danced and, suddenly, like pieces of a mosaic, came together in a visible pattern. "Man of fire! Man- of Tyre!" a voice shouted as the Red Man dismounted and.advanced. "Phoenician? No, not Phoenician alone, but. . . "
"Phoenix" said the Red Man. His face blazed with fiery light. .
Not just a Phoenician, but a Phoenix! Not, indeed, the symbolic, metaphorical bird of legend, / Page 247 / but the actual being itself. Gone now was all semblance of fatigue; all was joyful haste, as of a man going to a long-awaited tryst. The words poured forth from him. He, too, was old-if not as old as the Cyclops-but he was mortal, and his mortality indescribably wearied him. Up and down the world and to and fro, he had been coming and going for centuries: and now his time was at hand, had been at hand for these two years past. Only the fire could liberate him from the fretting, chafing shackles of his flesh, and, by its destruction of his present body, enable him to renew his youth.
The sign of regeneration. Vergil thought. Eagle, serpent, phoenix.
Aloud, he said, "If such is your need, Captain Phoenix, then it is not for me to stand in your way."
But the other looked at him, teeth and eyes gleaming in his blazing face. "You? You are nothing but a path on which I tread. The Phoenix has no need of wizards."
"Then do what you must. Why you have brought me here, I do not at all know. Is it to kindle your pyre? The task likes me not, but-"
An-Thon Ebbed-Saphir laughed his brief scorn. "I have little time to enjoy the irony of it, but I have brought you here to pull, as it were, my chestnuts from the fire. I know the Cyclops hates me. I was not certain that you would succeed in rescuing my bride from him-"
"Your Bride?"
The Red One nodded. "Yes. . . You spoke of my need. Little do you know of it, that you ask in such / Page 248 / astonishment. Yes, the Phoenix must have a bride! And, as the Phoenix is always male, he must take his bride from among the daughters of ordinary men. Our marriage, my marriage, the marriage of the Phoenix, is not an act of venery-though in such sweatings and writhings we usually join as gladly as the rest of you. No-only the union of male and female in the fire's dissolution can result in the formation of the magical egg from which the new Phoenix will emerge. My bride!" -he turned to Laura, extending his hand-"my bride!"
With a gasp and a quivering breath, she drew back within the shelter of Vergil's arm and cloak.
"You need not fear. The pain is brief and slight, the joy is exceeding great, and in these our wedding resembles weddings of mortality and flesh. Neither fear me nor disdain me, but come surmount with me our matrimonial pavilion on the pyre. . . You still fear? Believe me that you need not! I will be patient a moment more, but I have not forever. " ,
Vergil said, as the setting sun cast its red reflection on the other's face, "But why, Phoenix, out of all the world of women, have you selected this one woman? You see she does not wish it, nor should , you wonder. But surely in all the world there must
be at least one who would?:'
"There is. She was. Long ago, as this girl measures time, the other pledged her troth to this mystic wedding in return for long life, for love, and for the potency to gain a throne. She gained that throne, she shared that love, she was to live as long as her Phoenix lived: . . perhaps five hundred years. . . perhaps more. . . one can never be sure."
THE SCULPTURE OF VIBRATIONS 1971
Message boards : Cafe SETI ...
setiweb.ssl.berkeley.edu/forum_forum.
Fun with Numbers
Posted 12 Jun 2007 1:43:07 UTC
Last modified: 12 Jun 2007 2:13:56 UTC
666:
666: is the number of the Devil. If you look closely, you will see that there is never any post in any thread numbered 666 on Cafe Seti. The numbering goes to 665, then jumps to 667.
Question: Is that because the mods have been ordered to remove all 666 post numbers from the thread? Or, is this an administrative "fix" to keep the forums "Kid Friendly"? Or...is this some kind of religious cabal foisted on the forums by the Da Vinci Code guardians?
Posted 14 Jun 2007 2:45:31 UTC -
69
This number is often used as an example number. It is popular among hackers as an addition to metasyntactic variables (foo69, bar69). It is also notable because it is the largest number whose factorial can be calculated by a pocket calculator limited to standard scientific notation with a 2 digit exponent.
{Hahaha! Fooled ya! :-P)
Straight from the dictionary:
69
adj : being nine more than sixty
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THE |
33 |
15 |
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SPHINX |
90 |
36 |
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9 |
Add to Reduce |
123 |
51 |
15 |
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Reduce to Deduce |
1+2+3 |
5+1 |
1+5 |
9 |
Essence of Number |
6 |
6 |
6 |
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SPHINX |
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3 |
SPH |
43 |
16 |
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I |
9 |
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NX |
38 |
11 |
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6 |
SPHINX |
90 |
36 |
18 |
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9+0 |
3+6 |
1+8 |
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SPHINX |
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18 |
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1+8 |
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1+8 |
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7 |
PHOENIX |
91 |
46 |
46 |
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4+6 |
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9+0 |
4+6 |
4+6 |
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10 |
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7 |
PHOENIX |
10 |
10 |
10 |
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1+0 |
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1+0 |
1+0 |
1+0 |
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7 |
PHOENIX |
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1 |
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7 |
PHOENIX |
91 |
46 |
46 |
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4+6 |
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9+0 |
4+6 |
4+6 |
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10 |
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7 |
PHOENIX |
10 |
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10 |
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1+0 |
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7 |
PHOENIX |
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1 |
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7 |
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|
|
|
- |
|
- |
|
|
|
|
6 |
|
|
9 |
6 |
|
1 |
|
8 |
9 |
|
6 |
|
|
|
|
= |
|
|
|
|
|
|
|
|
|
15 |
|
|
9 |
24 |
|
19 |
|
8 |
9 |
|
24 |
|
|
|
|
= |
|
|
|
|
|
|
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
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|
|
7 |
|
|
|
|
|
|
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|
= |
|
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|
|
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|
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|
|
|
|
|
|
16 |
|
|
|
|
|
|
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|
= |
|
|
|
|
|
|
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
16 |
8 |
15 |
5 |
|
9 |
24 |
|
19 |
16 |
8 |
9 |
|
24 |
|
|
|
|
= |
|
|
|
|
|
|
|
7 |
8 |
6 |
5 |
|
9 |
6 |
|
1 |
7 |
8 |
9 |
|
6 |
|
|
|
|
= |
|
|
|
|
|
|
13 |
|
|
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|
|
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|
|
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|
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|
- |
|
- |
|
|
|
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|
|
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|
occurs |
x |
|
= |
|
= |
|
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|
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- |
- |
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- |
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- |
- |
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- |
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|
- |
|
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|
occurs |
x |
|
= |
|
1+5 |
|
- |
|
|
|
|
|
|
|
|
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|
|
|
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|
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|
occurs |
x |
|
= |
|
1+8 |
|
- |
|
|
|
|
|
|
|
|
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|
|
|
|
|
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|
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|
occurs |
x |
|
= |
|
1+4 |
|
- |
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
1+6 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
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|
occurs |
x |
|
= |
|
1+8 |
|
|
13 |
|
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|
3+6 |
- |
- |
|
- |
8+2 |
- |
3+7 |
|
13 |
|
|
|
|
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|
|
|
|
|
|
- |
- |
|
- |
1+0 |
- |
1+0 |
|
13 |
|
|
|
|
|
|
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|
13 |
|
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- |
|
- |
|
|
|
6 |
|
|
9 |
6 |
|
1 |
|
8 |
9 |
|
6 |
|
|
|
|
= |
|
|
|
|
|
|
|
|
15 |
|
|
9 |
24 |
|
19 |
|
8 |
9 |
|
24 |
|
|
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|
= |
|
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|
13 |
|
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- |
|
- |
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7 |
|
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= |
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|
16 |
|
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= |
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13 |
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|
|
|
|
|
- |
|
- |
|
16 |
8 |
15 |
5 |
|
9 |
24 |
|
19 |
16 |
8 |
9 |
|
24 |
|
|
|
|
= |
|
|
|
|
|
|
7 |
8 |
6 |
5 |
|
9 |
6 |
|
1 |
7 |
8 |
9 |
|
6 |
|
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= |
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13 |
|
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- |
|
- |
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occurs |
x |
|
= |
|
= |
|
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|
|
|
|
|
|
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|
|
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|
occurs |
x |
|
= |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
occurs |
x |
|
= |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
occurs |
x |
|
= |
|
1+4 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
occurs |
x |
|
= |
|
1+8 |
|
13 |
|
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|
|
3+6 |
- |
- |
|
- |
8+2 |
- |
3+7 |
13 |
|
|
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|
- |
- |
|
- |
1+0 |
- |
1+0 |
13 |
|
|
|
|
|
|
|
|
|
|
|
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|
7 |
|
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- |
- |
|
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|
- |
7 |
|
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- |
- |
|
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|
- |
- |
7 |
8 |
- |
- |
|
9 |
6 |
|
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= |
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- |
|
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- |
6 |
|
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|
- |
- |
|
|
|
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|
- |
6 |
|
|
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|
|
|
|
|
- |
7 |
|
|
|
|
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|
|
|
|
|
|
|
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|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
7 |
8 |
- |
- |
|
9 |
6 |
|
|
|
|
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
8 |
9 |
5 |
6 |
|
6 |
8 |
|
|
|
|
= |
|
- |
8 |
9 |
14 |
15 |
|
24 |
26 |
|
|
|
|
= |
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
1 |
|
24 |
6 |
|
|
|
|
|
1 |
|
26 |
8 |
|
|
|
43 |
|
7 |
HINOSXZ |
115 |
52 |
43 |
|
|
4+3 |
|
|
- |
1+1+5 |
5+2 |
4+3 |
|
|
7 |
|
7 |
HINOSXZ |
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
1 |
|
24 |
6 |
|
|
|
|
|
1 |
|
26 |
8 |
|
|
|
43 |
|
7 |
HINOSXZ |
115 |
52 |
43 |
|
|
4+3 |
|
|
- |
1+1+5 |
5+2 |
4+3 |
|
|
7 |
|
7 |
HINOSXZ |
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
1 |
|
24 |
6 |
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
1 |
|
26 |
8 |
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
43 |
|
7 |
HINOSXZ |
115 |
52 |
43 |
|
|
4+3 |
|
|
- |
1+1+5 |
5+2 |
4+3 |
|
|
7 |
|
7 |
HINOSXZ |
7 |
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
8 |
9 |
5 |
6 |
|
6 |
8 |
|
|
|
|
= |
|
- |
8 |
9 |
14 |
15 |
|
24 |
26 |
|
|
|
|
= |
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
P+O+E |
36 |
18 |
9 |
6 |
SPHINX |
- |
- |
- |
7 |
PHOENIX |
- |
- |
- |
- |
S+P |
35 |
17 |
8 |
6 |
SPHINX |
90 |
36 |
9 |
7 |
PHOENIX |
91 |
46 |
1 |
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
6 |
|
|
9 |
6 |
|
|
|
|
= |
|
|
|
|
|
|
|
|
|
15 |
|
|
9 |
24 |
|
|
|
|
= |
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
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|
|
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= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
16 |
8 |
15 |
5 |
|
9 |
24 |
|
|
|
|
= |
|
|
|
|
|
|
|
7 |
8 |
6 |
5 |
|
9 |
6 |
|
|
|
|
= |
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
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- |
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- |
- |
- |
- |
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- |
|
|
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|
- |
- |
- |
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
- |
|
|
occurs |
x |
|
= |
|
1+0 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+2 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
- |
- |
|
|
|
|
|
- |
- |
- |
- |
|
occurs |
x |
|
= |
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= |
|
- |
|
|
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|
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|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
3+5 |
- |
|
|
- |
4+6 |
- |
2+8 |
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
8 |
6 |
5 |
|
9 |
6 |
|
|
|
|
|
|
- |
1+0 |
- |
1+0 |
|
7 |
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
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|
|
|
|
|
|
|
|
|
- |
|
- |
|
- |
|
6 |
|
|
9 |
6 |
|
|
|
|
= |
|
|
|
|
|
|
-` |
|
15 |
|
|
9 |
24 |
|
|
|
|
= |
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
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- |
|
- |
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= |
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= |
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7 |
|
|
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|
|
|
|
|
|
|
|
- |
|
- |
|
16 |
8 |
15 |
5 |
|
9 |
24 |
|
|
|
|
= |
|
|
|
|
|
|
7 |
8 |
6 |
5 |
|
9 |
6 |
|
|
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= |
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|
7 |
|
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|
|
- |
|
- |
- |
|
|
|
|
|
|
|
- |
|
|
occurs |
x |
|
= |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
- |
|
|
|
|
|
- |
- |
- |
- |
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
- |
|
|
- |
4+6 |
- |
2+8 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
8 |
6 |
5 |
|
9 |
6 |
|
|
|
|
|
|
- |
1+0 |
- |
1+0 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
7 |
8 |
- |
- |
|
9 |
6 |
|
|
|
|
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
9 |
5 |
6 |
|
6 |
8 |
|
|
|
|
= |
|
|
8 |
9 |
14 |
15 |
|
24 |
26 |
|
|
|
|
= |
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
9 |
5 |
6 |
|
6 |
8 |
|
|
|
|
= |
|
|
8 |
9 |
14 |
15 |
|
24 |
26 |
|
|
|
|
= |
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
8 |
9 |
5 |
6 |
|
6 |
8 |
|
|
|
|
= |
|
- |
8 |
9 |
14 |
15 |
|
24 |
26 |
|
|
|
|
= |
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
8 |
9 |
5 |
6 |
|
6 |
8 |
|
|
|
|
= |
|
- |
8 |
9 |
14 |
15 |
|
24 |
26 |
|
|
|
|
= |
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
SPHINX |
- |
- |
- |
1 |
S |
19 |
10 |
1 |
7 |
PHOENIX |
- |
- |
- |
2 |
OE |
11 |
11 |
2 |
- |
PHOENIX |
- |
- |
- |
5 |
PHNIX |
71 |
35 |
8 |
5 |
PHINX |
71 |
35 |
8 |
- |
SPHINX |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
4 |
|
55 |
35 |
|
3 |
HNX |
46 |
19 |
1 |
4 |
|
55 |
35 |
|
1 |
I |
9 |
9 |
9 |
- |
PHOENIX |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
PHOENIX |
91 |
46 |
1 |
6 |
SPHINX |
90 |
36 |
9 |
7 |
HINOSXZ |
115 |
43 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
8 |
9 |
5 |
6 |
|
6 |
8 |
|
|
|
|
= |
|
- |
8 |
9 |
14 |
15 |
|
24 |
26 |
|
|
|
|
= |
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
ABCDEFGHIJKLMNOPQRSTUVWXYZ
HINOSXZ
ZXSONIH
ZYXWVUTSRQPONMLKJIHGFEDCBA
7 |
PHOENIX |
91 |
46 |
1 |
- |
- |
- |
- |
- |
6 |
SPHINX |
90 |
36 |
9 |
7 |
PHOENIX |
91 |
46 |
1 |
6 |
SPHINX |
90 |
36 |
9 |
7 |
HINOSXZ |
115 |
43 |
7 |
|
|
|
|
|
2 |
|
9 |
9 |
|
1 |
I |
9 |
9 |
|
1 |
L |
12 |
3 |
|
|
|
|
|
|
|
|
3+0 |
2+1 |
2+1 |
5 |
|
|
|
|
3 |
NEB |
21 |
12 |
3 |
4 |
MAAT |
35 |
8 |
8 |
4 |
HERI |
40 |
31 |
4 |
3 |
TEP |
41 |
14 |
5 |
5 |
RET UI |
73 |
28 |
1 |
1 |
F |
6 |
6 |
6 |
20 |
First Total |
|
|
|
|
Add to Reduce |
2+1+6 |
9+9 |
2+7 |
2 |
Second Total |
|
|
|
|
Reduce to Deduce |
- |
1+8 |
- |
2 |
Essence of Number |
|
|
|
20 |
NEB-MAAT-HERI-TEP-RETUI-F |
216 |
99 |
9 |
3 |
NEB |
21 |
12 |
3 |
5 |
PEHTI |
58 |
31 |
4 |
4 |
QESU |
62 |
17 |
8 |
8 |
MENMENET |
89 |
35 |
8 |
20 |
First Total |
|
|
|
|
Add to Reduce |
2+3+0 |
9+5 |
2+3 |
2 |
Second Total |
|
|
|
|
Reduce to Deduce |
- |
1+4 |
- |
2 |
Essence of Number |
|
|
|
20 |
NEB-PEHTI-QESU-MENMENET |
230 |
95 |
5 |
5 |
ORION |
71 |
35 |
8 |
5 |
ONION |
67 |
31 |
4 |
1 |
R |
18 |
9 |
9 |
1 |
N |
14 |
5 |
5 |
9 |
PRINCIPIA |
95 |
59 |
5 |
11 |
MATHEMATICA |
94 |
40 |
4 |
20 |
Reduce to Deduce |
189 |
99 |
9 |
5 |
MYRRH |
- |
- |
- |
|
M+Y |
38 |
11 |
|
|
R |
18 |
9 |
|
|
R |
18 |
9 |
|
|
H |
8 |
8 |
|
5 |
MYRRH |
82 |
37 |
1 |
- |
- |
8+2 |
3+7 |
- |
5 |
MYRRH |
10 |
10 |
1 |
- |
- |
1+0 |
1+0 |
- |
5 |
MYRRH |
1 |
1 |
1 |
4 |
MAGI |
30 |
21 |
3 |
1 |
I |
9 |
9 |
9 |
5 |
MAGIC |
33 |
24 |
6 |
10 |
- |
|
|
|
|
- |
7+2 |
5+4 |
1+8 |
1 |
- |
|
|
|
6 |
SCARAB |
44 |
17 |
8 |
6 |
BEETLE |
49 |
22 |
4 |
6 |
SCARAB |
44 |
17 |
8 |
7 |
SCARABS |
63 |
18 |
9 |
6 |
BEETLE |
49 |
22 |
4 |
7 |
BEETLES |
68 |
23 |
5 |
- |
GODS TOTAL BEING |
- |
- |
- |
4 |
GODS |
45 |
18 |
9 |
5 |
TOTAL |
68 |
14 |
5 |
5 |
BEING |
37 |
28 |
1 |
14 |
|
150 |
60 |
15 |
1+4 |
- |
1+5+0 |
6+0 |
1+5 |
5 |
|
6 |
6 |
6 |
4 |
DAWN |
42 |
15 |
6 |
6 |
SUNSET |
98 |
17 |
8 |
7 |
EVENING |
76 |
40 |
4 |
7 |
SUNRISE |
105 |
33 |
6 |
7 |
SUNRISE |
105 |
33 |
6 |
8 |
SUNRISES |
124 |
34 |
7 |
6 |
SUNSET |
98 |
17 |
8 |
7 |
SUNSETS |
117 |
18 |
9 |
3 |
SUN |
54 |
9 |
9 |
4 |
DAWN |
42 |
15 |
6 |
7 |
EVENING |
76 |
40 |
4 |
5 |
NIGHT |
58 |
31 |
4 |
3 |
DAY |
30 |
12 |
3 |
4 |
SITO |
63 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
SON |
48 |
12 |
3 |
2 |
OF |
21 |
12 |
3 |
5 |
EARTH |
52 |
25 |
7 |
10 |
First Total |
|
|
|
|
Add to Reduce |
1+2+1 |
6+7 |
1+3 |
1 |
Second Total |
|
|
|
|
Reduce to Deduce |
- |
1+3 |
- |
1 |
Essence of Number |
|
|
|
5 |
LIGHT |
56 |
29 |
2 |
5 |
SIGHT |
63 |
27 |
9 |
5 |
NIGHT |
58 |
31 |
4 |
4 |
IGHT |
44 |
26 |
8 |
6 |
LIGHTS |
75 |
30 |
3 |
6 |
NIGHTS |
77 |
32 |
5 |
5 |
IGHTS |
63 |
27 |
9 |
8 |
MERIKARE |
- |
- |
- |
|
M+E |
18 |
9 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
K+A |
12 |
3 |
|
|
R |
18 |
9 |
|
|
E |
5 |
5 |
|
8 |
MERIKARE |
- |
- |
- |
K |
= |
2 |
2 |
KA |
12 |
3 |
3 |
T |
= |
2 |
6 |
TWELVE |
87 |
24 |
6 |
- |
- |
4 |
8 |
First Total |
|
|
|
- |
- |
- |
|
Add to Reduce |
9+9 |
2+7 |
- |
- |
- |
4 |
8 |
Second Total |
|
|
|
- |
- |
- |
|
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
4 |
8 |
Essence of Number |
|
|
|
- |
"BOOK OF FORMS" |
- |
- |
- |
4 |
BOOK |
43 |
16 |
7 |
2 |
OF |
21 |
12 |
3 |
5 |
FORMS |
71 |
26 |
8 |
11 |
|
135 |
54 |
18 |
1+1 |
- |
1+3+5 |
5+4 |
1+8 |
2 |
|
9 |
9 |
9 |
SHAMANIC WISDOM IN THE PYRAMID TEXTS
THE MYSTICAL TRADITION OF ANCIENT EGYPT
Jeremy Naydler 2005
The Sarcophagus Chamber Texts
Page 198
"Then come fourteen utterances, each preceded by the formula "Osiris Unas, take the Eye of Horus," followed by the name of the particular offering presented-cake, bread, beer, and so on (utts. 83-96)."
|
|
|
|
6 |
OSIRIS |
89 |
35 |
8 |
|
|
|
|
4 |
UNAS |
55 |
10 |
1 |
|
|
|
|
4 |
TAKE |
37 |
10 |
1 |
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
35 |
17 |
|
|
|
|
|
2 |
OF |
21 |
12 |
3 |
|
|
|
|
|
|
81 |
27 |
|
|
|
32 |
|
27 |
Add to Reduce |
351 |
126 |
36 |
|
|
3+2 |
|
2+7 |
Reduce to Deduce |
1+8+0 |
8+1 |
3+6 |
|
|
3 |
|
9 |
Essence of Number |
9 |
9 |
9 |
Page 198
"Then come fourteen utterances, each preceded by the formula
"Osiris Unas, take the Eye of Horus,"
followed by the name of the particular offering presented-cake, bread, beer, and so on (utts. 83-96)."
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
- |
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
- |
- |
84 |
- |
|
- |
|
|
|
- |
- |
8+4 |
- |
3+7+8 |
- |
4+9+1+4 |
1+7+6+4 |
5+0+4 |
- |
- |
|
- |
|
- |
|
|
|
- |
- |
1+2 |
- |
2+7 |
- |
1+8 |
8+1 |
- |
- |
- |
|
- |
|
- |
|
|
|
OSIRIS UNAS TAKE THE EYE OF HORUS
- |
REDEMPTIVE |
- |
- |
- |
|
R |
18 |
9 |
|
|
E+D |
9 |
9 |
|
2 |
E+M |
18 |
9 |
|
|
P+T |
36 |
9 |
|
|
I |
9 |
9 |
|
|
V+E |
27 |
9 |
|
10 |
REDEMPTIVE |
117 |
54 |
54 |
1+0 |
|
1+1+7 |
5+4 |
5+4 |
1 |
REDEMPTIVE |
9 |
9 |
9 |
- |
THE DOG STAR |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
3 |
DOG |
26 |
17 |
8 |
4 |
STAR |
58 |
13 |
4 |
10 |
THE DOG STAR |
|
|
|
1+0 |
- |
1+1+7 |
4+5 |
1+8 |
1 |
THE DOG STAR |
|
|
|
- |
THE GOD STAR |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
3 |
GOD |
26 |
17 |
8 |
4 |
STAR |
58 |
13 |
4 |
10 |
THE GOD STAR |
|
|
|
1+0 |
- |
1+1+7 |
4+5 |
1+8 |
1 |
THE GOD STAR |
|
|
|
- |
THE STAR GOD |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
4 |
STAR |
58 |
13 |
4 |
3 |
GOD |
26 |
17 |
8 |
10 |
THE STAR GOD |
|
|
|
1+0 |
- |
1+1+7 |
4+5 |
1+8 |
1 |
THE STAR GOD |
|
|
|
8 |
NEGATIVE |
83 |
38 |
2 |
5 |
HORUS |
81 |
27 |
9 |
8 |
POSITIVE |
115 |
43 |
7 |
21 |
First Total |
|
|
|
|
Add to Reduce |
2+7+9 |
1+0+8 |
1+8 |
3 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
3 |
Essence of Number |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
LIGHT |
56 |
29 |
2 |
5 |
HORUS |
81 |
27 |
9 |
4 |
DARK |
34 |
16 |
7 |
14 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
1+7+1 |
7+2 |
1+8 |
5 |
Essence of Number |
|
|
|
-- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
8 |
|
|
- |
|
|
|
8 |
|
|
|
|
1+6 |
|
|
= |
|
|
|
-- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
-`- |
|
1 |
9 |
- |
4 |
1 |
2 |
|
3 |
|
|
|
2+0 |
|
|
= |
|
|
|
- |
- |
|
1 |
18 |
- |
13 |
1 |
11 |
|
21 |
|
|
|
6+5 |
|
|
1+1 |
|
|
|
-- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
8 |
1 |
18 |
- |
13 |
1 |
11 |
8 |
21 |
|
|
|
8+1 |
|
|
= |
|
|
|
- |
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8 |
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9 |
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4 |
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8 |
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occurs |
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occurs |
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occurs |
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occurs |
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occurs |
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16 |
1+6 |
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9 |
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occurs |
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1+8 |
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2+7 |
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3+6 |
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2+7 |
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- |
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- |
8 |
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8 |
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1+6 |
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- |
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- |
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-`- |
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1 |
9 |
- |
4 |
1 |
2 |
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3 |
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2+0 |
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= |
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- |
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1 |
18 |
- |
13 |
1 |
11 |
|
21 |
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6+5 |
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1+1 |
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- |
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- |
- |
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- |
8 |
1 |
18 |
- |
13 |
1 |
11 |
8 |
21 |
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8+1 |
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= |
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- |
8 |
1 |
9 |
- |
4 |
1 |
2 |
8 |
3 |
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3+6 |
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= |
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- |
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occurs |
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2 |
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occurs |
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= |
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- |
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occurs |
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= |
3 |
= |
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- |
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4 |
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- |
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occurs |
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occurs |
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= |
16 |
1+6 |
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9 |
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- |
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occurs |
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= |
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= |
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- |
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- |
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- |
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2+7 |
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3+6 |
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2+7 |
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- |
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|
HAR MAKHU |
- |
- |
|
2 |
HA |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
5 |
MAKHU |
54 |
18 |
9 |
|
HAR MAKHU |
81 |
36 |
|
- |
Add Reduce Deduce |
8+1 |
3+6 |
- |
8 |
Essence of Number |
9 |
9 |
9 |
|
HAR MAKHU |
81 |
36 |
|
|
SEKHMET |
81 |
36 |
|
|
SPHINX |
90 |
36 |
|
21 |
Add Reduce |
252 |
108 |
27 |
2+1 |
Reduce to Deduce |
2+5+2 |
1+0+8 |
2+7 |
3 |
Essence of Number |
9 |
9 |
9 |